As some may remember, last year I gave a lecture in Lausanne with Corridor regarding the history and objectives of Subtilitas, my personal practice Part Office, thoughts on working in Los Angeles, and a few other side projects. The video is now up, fittingly almost at the 10 year anniversary of the creation of this site. It was nice to reflect on its beginnings, and consider where it stands now within the milieu of online architectural media. Thank you for listening, and I encourage feedback, thoughts, and opinions; please write with any.
Friday, September 20, 2019
crossconnectmag: Surrealistic Paintings by Leigh Whurr Leigh...
Surrealistic Paintings by Leigh Whurr
Leigh Whurr a.k.a. Oddly-Spliced is a digital artist from Birmingham, UK.
Describing or explaining my work is rarely simple since the very appeal of this type of imagery lies in how it may touch a place that words or logic cannot immediately reach.
There is logic to be found, but it is spliced with my own subjective reality. It is an instinctual drive and so any statement about my work usually requires some degree of philosophical leverage, as well as a certain amount of self-analysis. Painting digitally seems like a natural extension of a contemporary approach, although I do not feel this should impinge on the content of the work itself in terms of how it should be received. It is, to me, simply a more efficient and enjoyable way of producing art.
If you aren’t following Cross Connect, you’re missing out.
crossconnectmag: Surrealistic Paintings by Leigh Whurr Leigh... crss
crssSurrealistic Paintings by Leigh Whurr
Leigh Whurr a.k.a. Oddly-Spliced is a digital artist from Birmingham, UK.
Describing or explaining my work is rarely simple since the very appeal of this type of imagery lies in how it may touch a place that words or logic cannot immediately reach.
There is logic to be found, but it is spliced with my own subjective reality. It is an instinctual drive and so any statement about my work usually requires some degree of philosophical leverage, as well as a certain amount of self-analysis. Painting digitally seems like a natural extension of a contemporary approach, although I do not feel this should impinge on the content of the work itself in terms of how it should be received. It is, to me, simply a more efficient and enjoyable way of producing art.
If you aren’t following Cross Connect, you’re missing out.
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