SubmissionFeatured Art by Roto Colado My name is Fabiano... crss

Submission

Featured Art by Roto Colado

My name is Fabiano Pinheiro (aka under Roto Colado).
I was always fascinated by any visual approach that my eye could catch from this world since as long as I remember. I studied Product Design at Rio’s School of Fine Arts and I have been working as an art director in Brazil for 20 years.
During this period, I always incorporated collage illustration into my commercial work and this gradually led me to look for my own voice as an illustrator.

The Synchronicity Project (2019)

The “magic” of meaningful coincidence manifesting in oracles was conceptualized by Jung as Synchronicity. It is one of the methods used by the unconscious to bring out a perception - not just from the guessing arts, but also of those other “coincidences” that touch us so deeply that they awaken to a new observation of the already known moment. This project started as a suggestion from my mother-in-law (who plays tarot) and gave me the idea of trying to recreate the tarot cards of Marseille and Rider-Waite by collage techniques. Meaningful coincidence?

From there, the focus is to recreate by “a new observation”, figures from anywhere, giving them another meaning, but maintaining the fundamental concepts of classical tarot cards.

My work: https://www.instagram.com/roto.colado/

Thank you for your submission.

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Stiff Pose Victorian Postmortem photography (140 Pics)

Postmortem photography or memento mori, the photographing of a deceased person, was a common practice in the 19th and early 20th centuries. The photographs were considered a keepsake to remember the dead. Child mortality was high during the Victorian era. For many children even a common sickness could be fatal. When a child or other family member died, families would often have a photograph taken before burial. Many times it was the first and last photograph they would ever possess of their loved one. Many postmortem photographs were close-ups of the face or shots of the full body. The deceased were usually depicted to appear as if they were in a deep sleep, or else arranged to appear more life-like. Children were often shown on a couch or in a crib, often posed with a favorite toy. It was not uncommon to photograph very young children with a family member, most frequently the mother. Adults were more commonly posed in chairs or even propped up on something.

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