Skip to main content

thecollectibles:Art by Eugene Korolev

crossconnectmag: Money Sculpture, Paintings and Maps by Justine... crss





















crossconnectmag:

Money Sculpture, Paintings and Maps by Justine Smith

Paper has always been a primary material in the work of Justine Smith.     Her current work is concerned with the concept of money and how it touches almost every aspect of our lives. She is interested in money as a conduit of power and also in the value systems with which we surround it. On a physical level a banknote is just a piece of paper, but it is what a banknote actually represents that is central to Smith’s work. 

Through her collages, prints and sculptures she examines our relationship with money in a political, moral and social sense, whilst also exploiting the physical beauty of the notes.

She has exhibited her work in galleries and museums internationally. Notable collections include the British Council, The British Library, and the UK Government Art Collection along with many international corporations, financial institutions and private collections. She lives and works in London. Artist activities on Twitter.



Stay current with Cross Connect Magazine on Twitter and Facebook.

posted by Margaret  

crss

Comments

Popular posts from this blog

Photos Are Always Funnier When You Add a Caption (31 pics)

The Best of Leisure Dives (27 pics)

Stiff Pose Victorian Postmortem photography (140 Pics)

Postmortem photography or memento mori, the photographing of a deceased person, was a common practice in the 19th and early 20th centuries. The photographs were considered a keepsake to remember the dead. Child mortality was high during the Victorian era. For many children even a common sickness could be fatal. When a child or other family member died, families would often have a photograph taken before burial. Many times it was the first and last photograph they would ever possess of their loved one. Many postmortem photographs were close-ups of the face or shots of the full body. The deceased were usually depicted to appear as if they were in a deep sleep, or else arranged to appear more life-like. Children were often shown on a couch or in a crib, often posed with a favorite toy. It was not uncommon to photograph very young children with a family member, most frequently the mother. Adults were more commonly posed in chairs or even propped up on something.