Editorial illustrations for Air France, Tom Haugomat
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Editorial illustrations for Air France, Tom Haugomat
Cross Connect Mag | follow us on instagram and facebook
Pima Air & Space Museum, Tucson
The Bone Yard Project resurrects disused airplanes from America’s military history through the creative intervention of contemporary artists, taking entire airplanes and their elements out of aeronautic resting spots in the desert, known as “bone yards,” and putting them into the hands of artists. Re-imagined by Brazilian graffiti artist Nunca, an abandoned DC3 comes to life with a striking picture of an eagle leading men through the skies, and the idealized dreams of flight are able to soar once again in our collective imagination. With a nod to the airplane graffiti and nose art‟ that became popular during WWII, the project offers a vision of the wonder by which humanity takes to the air through some of the most prominent and acclaimed artists working today.
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Selected by Very Private Art
A lifelong love of literature, research, and art is the heart of my work as an illustrator. I’m convinced that “a studio is a place of study,” as designer Bruce Mau phrases it, so before I paint, I read, research, and learn. Every illustration project is an excuse to study!I paint with watercolor, acrylic, and gouache, sometimes adding ink, pastel, or cut paper.
When I draw and paint, I choose objects I find fascinating, beautiful in form, or potentially meaningful. Sometimes I simply paint things I love. (For example, vintage dishware and linens, early American furniture, lace patterns, historical costume, and Swedish breads!) Frequently, I choose subjects that I think will offer me a rewarding technical challenge. Have you ever been so scared to draw a wicker chair that you put it off for three days? I have! But then once I began in earnest, I loved it. The truth is, overcoming doubt — because every artist experiences doubt about her work — is one way in which I take joy in what I do. Society 6
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(Madrid, 1964) received an M.A. from NYU and the International Center for Photography in 1990. Daniel Canogar studied Sciences of the Image at the Complutense University of Madrid, graduating in 1987. Then it established itself for two years in New York where it realized a Master’s degree in Art with specialization in Photo in the New York University. His work is based on an average point between the humanism and the science, exploring as our senses adapt themselves to the new electronic temporary space and his constant technological advances. The last artwork was shown at ARCO 2016, Madrid.
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