SUBMISSION
My work is about layering again and again.
Constant process of removing, and adding to the composition erratically, allows me to freely explore the contradictions of materiality and colour within painting along with the balance between meaning and explanation, vision and gesture, word and unspoken thought.
With visible liquidity in the way in which the paint is applied to canvas, I often use white as a neutralising aspect to the works – a personal form of eradicating what is deemed unsatisfactory or unnecessary, juxtaposing its use as a base, starting point, main element of composition and medium to alter the presence of colour.
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