Sunday, August 21, 2016

littlelimpstiff14u2: Robert Sijka  photographs Maine Coon cats...





















littlelimpstiff14u2:

Robert Sijka  photographs Maine Coon cats and makes them look like majestic mythical beasts

The man who takes these glorious photos is Robert Sijka.

“My passions are cats and photography, I do my best to combine these two things as well as possible,” he shares on his website.

Oh, he did an excellent job. Each of these cats I would follow to the end of the world. I would battle dragons and go on dangerous quests against mythical monsters… if these cats told me to do so. They’re… magical.

Interview with Robert Sijka

Thanks Design you trust

Nightscape Paintings by Stephen Fox Stephen Fox (born in...





















Nightscape Paintings by Stephen Fox

Stephen Fox (born in Richmond, Virginia, in 1957) is a veteran Photorealist painter whose work blurs the lines between the documentation of an observable place and the quiet filter of the artist’s sensibilities.

I am primarily a painter of the contemporary nighttime landscape, places brought into a state of relative quiet as human activity diminishes and the bathing light of the sun is replaced by artificial lighting or the moon’s silver glow. In these familiar places gone partially dark and less observed, the landscape takes on some of the attributes of a theater set, certain objects or areas thrust into definition by the unintentional vagaries of interacting light sources. It is a world of light and shadow in constant movement, as something as brief as the passage of a car can suddenly transform a formless world into a living canvas of color and chiaroscuro, there for a few moments before receding into darkness once again.


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posted by Margaret via

Saturday, August 20, 2016

Hyper Realistic Paintings by Young-Sung KimKorean artist...





















Hyper Realistic Paintings by Young-Sung Kim

Korean artist Young-Sung Kim was born in Seoul in 1973 and graduated from Department of Painting, College of Fine Art, Hongik University.

Through his paintings, Young Sung Kim visually critiques the level at which we place “value” on objects both commercially and ethically. Kim uses contrasting subject matter to illustrate the distinction between the living and the material. It seems that as a society our ideas of how something is valued are intrinsically rooted in commerce. Kim seeks for the viewer to question the meaning and “value” of living creatures in our modern society.

Artist concentrates his exploration of life on small creatures such as snails, frogs, and goldfish. He paints these species resting on man-made objects such as cutlery and glassware. Stay up to date with his work by following him on Twitter.


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posted by Margaret via

nonconcept: The Infinite Bridge, located on the picturesque...





nonconcept:

The Infinite Bridge, located on the picturesque coastal landscape of Aarhus, Denmark by Gjøde & Povlsgaard Arkitekter.


Photographer Cayetano Ferrnadez uses toy dolls to build stories...





















Photographer Cayetano Ferrnadez uses toy dolls to build stories

Spanish artist Cayetano Ferrández prepares scenarios radically minimalist, suitable for a phenomenology of the essential, armed with an illumination of chiaroscuro where light is part of the language that modulates the meanings. The light becomes one means of concealing and revealing, to say without saying, make us also see in the shadows that hide facial features or members of the body / text Enric Mira 


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posted by Margaret

Indoor paintings by Adnate Adnate’s style is technically based...


Indoor paintings by Adnate


Indoor paintings by Adnate


Indoor paintings by Adnate


Indoor paintings by Adnate


Indoor paintings by Adnate


Indoor paintings by Adnate


Indoor paintings by Adnate


Indoor paintings by Adnate

Indoor paintings by Adnate

 Adnate’s style is technically based on the Italian Renaissance painting technique chiaroscuro. He uses acrylic and spray paint and creates a feeling of the harsh yet warm Australian desert. Adnate replicates the Australian landscape in the old eyes of the young aborigine child. It clearly makes reference to The Stolen Generations who were the children of Australian Aboriginal and were removed from their families by the Australian Federal and State government agencies and church missions.

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