crssArtwork from Mohammad Noor.
SUBMISSION
Mohammad Noor is a Conceptual Artist working with photo manipulation to create surreal art. Mohammad is from Amman/Jordan
Instagram: @crossconnectmag
Wednesday, December 19, 2018
crossconnectmag: Artwork from Mohammad Noor. SUBMISSION Mohammad... crss
crossconnectmag: Artwork from Mohammad Noor. SUBMISSION Mohammad...
Artwork from Mohammad Noor.
SUBMISSION
Mohammad Noor is a Conceptual Artist working with photo manipulation to create surreal art. Mohammad is from Amman/Jordan
Instagram: @crossconnectmag
Photography by Mark Broyer - After Hours Vol.6Mark Broyer (b.... crss
Photography by Mark Broyer - After Hours Vol.6
Mark Broyer (b. 1979) is an art director and photographer based in Hamburg, Germany. He studied graphic design and worked as a freelance art director for several design and advertising agencies. Since 2013, he has been focusing on his own photographic projects at the same time. - his website
Instagram: @crossconnectmag
crssPhotography by Mark Broyer - After Hours Vol.6Mark Broyer (b....
Photography by Mark Broyer - After Hours Vol.6
Mark Broyer (b. 1979) is an art director and photographer based in Hamburg, Germany. He studied graphic design and worked as a freelance art director for several design and advertising agencies. Since 2013, he has been focusing on his own photographic projects at the same time. - his website
Instagram: @crossconnectmag
We're looking for curators! crss
crossconnectmag: Since we’ve started, Cross Connect has always been a team effort. We work with top... crss
We're looking for curators!
crossconnectmag: Since we’ve started, Cross Connect has always been a team effort. We work with top...
crossconnectmag: “Black Powder” Photography by Damion...
“Black Powder” Photography by Damion Berger
Gunpowder, also known as black powder, is the earliest known chemical explosive. Following its invention in ancient China, the earliest documentation of fireworks can be traced back to the 9th century when they were first used by the Chinese to frighten away evil spirits and pray for happiness and prosperity.
Damion Berger (b. London 1978) is a photographer who’s artwork makes the viewer question the possibilities of photography and its relationship to time and movement. Operating between abstraction and conceptualism, his unorthadox approach to traditional photographic process typically employs long exposure and in-camera techniques to make photographic ‘recordings’ that probe the nature and convention of photography. At the heart of his practice are experiments in mark-making, quite literally painting with light – exploring the relationship between time, movement and light, his work flips the concept of the photographic moment on its head, rendering the invisible…visible. Often printed in the negative, his photographs resemble layered line drawings and reference the historical evolution of photography whilst engaging in dialogue across broader artistic mediums.
He currently lives and works between New York and France.
Thanks Ricardo Pinto and Wired
crossconnectmag: “Black Powder” Photography by Damion... crss
crss“Black Powder” Photography by Damion Berger
Gunpowder, also known as black powder, is the earliest known chemical explosive. Following its invention in ancient China, the earliest documentation of fireworks can be traced back to the 9th century when they were first used by the Chinese to frighten away evil spirits and pray for happiness and prosperity.
Damion Berger (b. London 1978) is a photographer who’s artwork makes the viewer question the possibilities of photography and its relationship to time and movement. Operating between abstraction and conceptualism, his unorthadox approach to traditional photographic process typically employs long exposure and in-camera techniques to make photographic ‘recordings’ that probe the nature and convention of photography. At the heart of his practice are experiments in mark-making, quite literally painting with light – exploring the relationship between time, movement and light, his work flips the concept of the photographic moment on its head, rendering the invisible…visible. Often printed in the negative, his photographs resemble layered line drawings and reference the historical evolution of photography whilst engaging in dialogue across broader artistic mediums.
He currently lives and works between New York and France.
Thanks Ricardo Pinto and Wired
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