




crssBeautiful nature photography from Anna Kozak
Available prints featured above:
I’m in love again | Road trip | Noir | Forest | Fairytale ForestInstagram: @crossconnectmag
crssBeautiful nature photography from Anna Kozak
Available prints featured above:
I’m in love again | Road trip | Noir | Forest | Fairytale ForestInstagram: @crossconnectmag
Beautiful nature photography from Anna Kozak
Available prints featured above:
I’m in love again | Road trip | Noir | Forest | Fairytale ForestInstagram: @crossconnectmag
Beautiful Cartography and Portraiture from Ed Fairburn
“Paper maps are essential to portrait artist Ed Fairburn, who uses them as the canvas for his detailed work. His thoughtful integration of human portrait and topography make it appear as though the two have always belonged together” (Rocky Mountain PBS)
My work is a direct combination of cartography and portraiture. Using traditional materials such as ink and pencil, I intervene with a range of original maps, making gradual changes to contours, roads and other patterns. These changes allow me to tease out the human form, resulting in a comfortable coexistence of figure and landscape. I aim to preserve the functionality of each map by feeding the composition instead of fighting it – I often spend hours studying each map before I begin any physical processes. I’m interested in the subtlety of each synchronisation, and the way in which each completed map behaves more like a portrait when viewed from further away – it’s almost paradoxical that a portrait should lose detail when examined closely.
More unique art on Cross Connect Magazine:
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Posted by Andrew
Beautiful Cartography and Portraiture from Ed Fairburn
“Paper maps are essential to portrait artist Ed Fairburn, who uses them as the canvas for his detailed work. His thoughtful integration of human portrait and topography make it appear as though the two have always belonged together” (Rocky Mountain PBS)
My work is a direct combination of cartography and portraiture. Using traditional materials such as ink and pencil, I intervene with a range of original maps, making gradual changes to contours, roads and other patterns. These changes allow me to tease out the human form, resulting in a comfortable coexistence of figure and landscape. I aim to preserve the functionality of each map by feeding the composition instead of fighting it – I often spend hours studying each map before I begin any physical processes. I’m interested in the subtlety of each synchronisation, and the way in which each completed map behaves more like a portrait when viewed from further away – it’s almost paradoxical that a portrait should lose detail when examined closely.
More unique art on Cross Connect Magazine:
Twitter || Facebook|| Instagram
Posted by Andrew
crssRaven Kwok (aka 郭 锐文), who has previously been featured in Cross Connect, is a visual artist / animator / programmer mainly focused on exploring generative visual aesthetics brought by computer algorithms and software processes. In 2014, Kwok graduated from Rensselaer Polytechnic Institute with the M.F.A. degree in Electronic Arts. His work has been screened and exhibited at many film festivals.
Many programmers create generative art; few have the ability to create work that is as beautful and compelling to watch both in terms of motion and design.
More unique art on Cross Connect Magazine:
Twitter || Facebook|| Instagram
Posted by David
Raven Kwok (aka 郭 锐文), who has previously been featured in Cross Connect, is a visual artist / animator / programmer mainly focused on exploring generative visual aesthetics brought by computer algorithms and software processes. In 2014, Kwok graduated from Rensselaer Polytechnic Institute with the M.F.A. degree in Electronic Arts. His work has been screened and exhibited at many film festivals.
Many programmers create generative art; few have the ability to create work that is as beautful and compelling to watch both in terms of motion and design.
More unique art on Cross Connect Magazine:
Twitter || Facebook|| Instagram
Posted by David