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staff : 🚨This is a Red Alert for net neutrality 🚨 Last December, the FCC voted to to kill net neutrality. If we do not take action, this will kill the free and open internet as we know it. The internet needs you—all of you—to make sure your voices are heard NOW. We need all hands on deck for this one. It may be our last chance. If you’re feeling under-informed and overwhelmed about why net neutrality is so incredibly important, we have this handy guide just for you . Here’s what you can do to save the internet: In mid-May, the Senate will vote on a resolution to overrule the FCC using the Congressional Review Act (CRA). We only need one more vote in the Senate to win. Write or call your Senators or Representatives. You can also text BATTLE to 384-387 to get more information on how to write to your reps. You can do this, Tumblr. Join us and dozens of your other favorite companies like Etsy , Vimeo , Reddit , and GitHub to raise awareness with the Red Alert campaign being

crossconnectmag : Colourful Liquid Splashes Captured at 1/3500th of a Second Look Like Floating Sculptures Cassandra Warner and Jeremy Floto of Floto+Warner Studio recently produced this beautiful series of photos titled Clourant that seemingly turns large splashes of colorful liquid into glistening sculptures that hover in midair. The photos were shot at a speed of 1/3,500th of a second, taking special care to disguise the origin of each burst making images appear almost digital in nature (the duo assures no Photoshop was used). They share about the project: Colourant is a series of events that pass you by as an imperceptible flash. A fleeting moment, that blocks and obscures the landscape, a momentary graffiti of air and space. Creating shapes of nature not experienced by the human eye, these short-lived anomalies are frozen for us to view at 3500th of a second. Transforming the non-discernible and ephemeral to the eternal. The essence of photography—immorta

crossconnectmag : Colourful Liquid Splashes Captured at 1/3500th of a Second Look Like Floating Sculptures Cassandra Warner and Jeremy Floto of Floto+Warner Studio recently produced this beautiful series of photos titled Clourant that seemingly turns large splashes of colorful liquid into glistening sculptures that hover in midair. The photos were shot at a speed of 1/3,500th of a second, taking special care to disguise the origin of each burst making images appear almost digital in nature (the duo assures no Photoshop was used). They share about the project: Colourant is a series of events that pass you by as an imperceptible flash. A fleeting moment, that blocks and obscures the landscape, a momentary graffiti of air and space. Creating shapes of nature not experienced by the human eye, these short-lived anomalies are frozen for us to view at 3500th of a second. Transforming the non-discernible and ephemeral to the eternal. The essence of photography—immorta

crossconnectmag : Ceramics by Heesoo Lee Heesoo Lee is a ceramics artist, born and raised in Seoul, South of Korea and earned the BA in Art from Ewha University. From California, she relocated to Maui, where she established a thriving studio business. Her sculptural vessels are created from porcelain and white stoneware and, after construction, are painted with layer upon layer of underglaze. Her painting medium of pigmented clay is so light that it often requires thirty or more layers to achieve the magnificent depth and realism for which she has become renown, but the analogy to painting ends in the kiln.  During firing, the layers of underglaze can react with one another and change colors; at higher temperatures, yellows, reds and oranges want to evaporate out. As a result, Lee’s handling of the ceramic material, though intricate and precise, is also marked by an intuitive use of imagery and surface treatments that offer reward through risk-taking.  It’s ea

crossconnectmag : Ceramics by Heesoo Lee Heesoo Lee is a ceramics artist, born and raised in Seoul, South of Korea and earned the BA in Art from Ewha University. From California, she relocated to Maui, where she established a thriving studio business. Her sculptural vessels are created from porcelain and white stoneware and, after construction, are painted with layer upon layer of underglaze. Her painting medium of pigmented clay is so light that it often requires thirty or more layers to achieve the magnificent depth and realism for which she has become renown, but the analogy to painting ends in the kiln.  During firing, the layers of underglaze can react with one another and change colors; at higher temperatures, yellows, reds and oranges want to evaporate out. As a result, Lee’s handling of the ceramic material, though intricate and precise, is also marked by an intuitive use of imagery and surface treatments that offer reward through risk-taking.  It’s ea

The typical architecture of Santorini has endowed the local whitewashed hotels with lots of...